Wade Wilson (Ryan Reynolds) is a former Special Forces operative who now works as a mercenary. His world comes crashing down when the evil Ajax (Ed Skrein) tortures, disfigures and transforms him into Deadpool. The rogue experiment leaves Deadpool with accelerated healing powers and a twisted sense of humor. With help from mutant allies Negasonic Teenage Warhead (Brianna Hildebrand) and Colossus (Stefan Kapicic), Deadpool uses his new skills to hunt down the man who nearly destroyed his life.
At some point, the comics industry needs to come out and accept that kids aren’t reading comics in the same numbers that they did back in the golden/silver age. Especially superhero comics and what was wonderful about Deadpool is that it’s cheerfully and openly adult in it’s humour, scatological and awash with dark jokes, sight gags, continuity references and fourth wall breaking observations that had me giggling when the film did not have me open mouthed with surprise and delight.
Ryan Reynolds is a classic leading man, handsome and self aware with an independent sensibility and an awareness of the ridiculous that fits perfectly within this milieu. Even his voice performance is wry and amusing, his chemistry with Morena Baccarin is brazen and sensual whilst having an endearing sweetness that makes it palatable.
The film works so well because it understands and embraces the spectacle of the comic books, fights and gore that defy physics and biology like a live action Looney Tunes. It’s a million times better than the grim-dark earnestness of Man of Steel and the upcoming Dawn of Justice. It has Gina Carano in it, TJ Miller as a comedic sidekick is wonderful and Alex Skrein as a physically appealing and morally reprehensible antagonist.
Go see it, because I want a sequel. It’s funny and appealing in all the ways that matter.