masculinity psychology purpose

Purpose and Mindset (Advice For Men)





A man is what he does, not who he is.


It is a cruel idea to know all your good qualities have no value in the marketplace of people.


A devotion to a relationship kills it with the weight of attention.


These dichotomies are bitter medicine, but there is, if not a cure, then an antidote to the worst side effects.


A purpose.


An interest, a goal which you have outside of your relationships and hobbies.


Owning your own business.

Becoming a doctor or a lawyer.

Becoming a published writer

Releasing and playing music to audiences you’ve written and performed.

You should set yourself the goal of finding one, and soon. Make it align with your values and aptitudes then set yourself to achieving it. Be passionate about it, have it occupy your thoughts when you’re not doing it. It is the difference between having a job and a career as Chris Rock said.


Having and maintaining this will provide you with a source of character and meaning which will resist the vagaries of other people. It will teach you a valuable lesson: responsibility for meeting your own needs.


So if you’re a writer, don’t call yourself ‘aspiring’. Write. If you’re a musician, practice and write music, get out and play with better musicians than you. Study people who have excelled in your field and ask yourself how they did it, and what you can borrow from them.


Be excited about yourself and the things you do.



‘Just be yourself’ is common advice.


It is well-intended, and avoids making any accurate, or challenging observations about where you need to improve as a person. If someone says it to you, and you breathe a sigh of relief or feel confused, then it is the latter feeling which is the honest one.


What if you suck?


So, no, don’t ‘just be yourself’. It is a lazy cop out and if it got you women in the past, then you wouldn’t be here reading this, would you?


No, as men, we should work on being the best version of ourselves. It is unnecessary to set impossible goals, but the higher you reach, the better place you will land if you don’t quite reach it.


Give yourself someone to aspire to.




The routines and basic psychology of game are useful in so much as you can, with practice and application, get any girl. However, as the French say:


There is one thing worse than not getting the girl.


Getting the girl.

If you lack character, principles, boundaries then you are at risk of being unable to screen for people in your life who may not want what is best for you. This is not an idealised screening process, but if you understand yourself, then you can see whether someone is the best person for you. I offer the tools to allow you a clear consideration of whether it is a place you want to be in your life.


It starts from the most dangerous, uncertain territory.


Inside your head, looking out.

How do you separate you from yourself? It is difficult to figure out how and why you do things, including those things which keep you from your goals, but there have been tools to achieve this and I will share them with you.



Diaries are for teenage girls and Boomers who don’t know how to use their phones.


You are going to journal.


Write each day about how you are feeling.


There are variations on this, which I will share with you and these depend on what sort of person you are, in terms of whether you ‘move towards’ or ‘away from’ things in life.



Before coffee and after scratching your balls, write your goals and tasks for the day. Include something you can do with ease or have already done, which you can cross off as soon as possible.




Scratch balls

Go to gym

Say hello and make eye contact with five strangers today.

Do laundry


See, it is not so much simple as elegant. You become accustomed to setting yourself small goals each day and making yourself accountable for them. Check off what you did and move to tomorrow what you didn’t.

I recommend pen and paper, a hardbound book and a good pen. Pencil fades but it is convenient in a pinch, but whatever you use, write things down.


Away From


To write what you are feeling, borrow this maxim from Joe R Lansdale:


‘Write like everyone you know is dead.’


Use I statements when you write what you are feeling.


I felt frustrated when David asked Simon to stay and do the overtime at the store today. I am a good worker, but Simon spends time with him away from work.

You have an issue, but you control your feelings and providing the means to a solution in assessing the situation.


Pen and paper is important. It combines physical activity and is low-tech enough to avoid you sharing it on social media. Keep it private as something you do for yourself. Later on, when we get to the performative aspects of masculinity, then we can talk about what you share with others.


Your journal is your portable father if you don’t have one. It is also your private mentor and harshest critic.


Write what you think and feel there. Be fearless about yourself, and it will repay you as time progresses.


Start with 30 days of entries. Make each one as minimal as you need to, to get it done. Accomplishing anything for this time period creates neural associations, like a groove which you fall into.


If you feel any residual embarrassment, remember you’re leaving your wisdom and experience for future generations and let other people blunder around in unguarded and blithe ignorance.



We are learning machines. With modern life, it is difficult to focus on what is important and stick to it. The ever-present fear of missing out has us chasing novelties which fit Oscar Wilde’s description of smoking as ‘exquisite but unsatisfying.’ Our relationship with news is akin to escorting a shrieking friend from a bar before they get you both killed.  We are supposed to maintain, or even put forward a genuine version of masculine identity to gain and maintain the interest of women so how we reach the state of inner calm without drugs or neurosurgery?



There used to be a stigma attached to it as a practice. It carries connotations of narcissism projected as spiritual depth when it is one of the fundamental tools with which to address core concerns and issues within yourself.


It allows you to separate from your thoughts and feelings. Distance lends perspective and from there, you can see how and why you do things. To deal with the traits and habits which hold you back, this is invaluable. However, it is important to see the qualities which you like about yourself.

Basic Practice:


  • Find a quiet room and make sure you won’t be disturbed.
  • You sit or lay down, close your eyes and focus on your breathing.
  • One inhale and exhale counts as one repetition.
  • Carry out eight repetitions.


  • As you do this, your thoughts will take on a pace which can unnerve at first. Suddenly, you are preoccupied with what rhymes with orange but you need to just breathe through it and keep going.
  • If you lose your place, then you start again at one and keep going until you get to eight repetitions.
  • There may be points where one repetition is enough, then it is enough. However, commit to this practice for thirty days and do so without announcing it to anyone.
masculinity poetry purpose work

much beyond sleep

Smile in the quiet

Up late,

Writing to alleviate

The constant hum of


Only I hear it

The song, thick and low,

Like wine in my veins

More achieved,

Building a monument

Visible from inner space,

Potent with achievement

Put the pages away but they

Do not leave my sight

Much beyond sleep

love poetry purpose women


Suns first blush

Letting you sleep awhile

Stealing away to the page

But I’ll return

This is no secret

How I’ve always known

This connection to a process

I’ve worn as armour

Laid beneath like a blanket fort

And you’ve never sought to

Steal it from me

So here, between pages,

A kiss of phonemes and analogies

Fresh hot tea

And the spry quiet expression

I have when I’ve attended to

The grand works and so here

My attention, offered and accepted,

Steal back to bed and close my eyes

Breathe you in

As you move towards

Me, compelled by gravity

Of fulfilled purpose

love purpose romance short fiction women

Episode 27 – (The Transformation)To Take Flight Without Leaving The Ground


Hold On...

Previous episodes are here.


Olivia looked at her hand, fingers splayed, fascinated by what was happening to her. The webbing between her fingers had swollen into translucence, with minute black veins visible beneath the surface. A sharp burst of pain flared in her fingertips as pearlescent needles slid forward, set in beads of black fluid which dripped onto the table. She sighed with pleasure as she lifted her hand for inspection.

‘Excellent, Olivia.’ Amaro said.

‘Now do it again.’

Olivia repeated the process until the tips of her fingers bled. She felt a deep pulsing travel up her forearm as the wounds closed.

‘Will it always hurt?’ she said.

Amaro give a thin smile and nodded.


‘As with all life, Olivia. However, some pain serves a purpose.’ he said.


Olivia ran her tongue along her gums, feeling the small nubs of raised flesh, through which slid the secondary set of teeth, fine black hollow needles which produced a neurotoxin and a vacuum seal to draw out blood. She lived with bursts of fascination about her new anatomy before a fleeting sense of how alien these things were washed over her like crude oil atop an ocean.


‘My experiences beg to differ.’ she said.


Amaro’s lips curved into a smile. Olivia noticed the subtle changes in his physiognomy, how his cheekbones would protrude and recess then the plates of his skull would swell before he caught himself and resumed his normal features.


‘Of the two of us, I have more to say on the matter.’ he said.


Olivia looked into his eyes and held his unflinching gaze.


‘How Old Are You?’ she said.


He brought his hand and covered his mouth as he shook his head and chuckled


‘I will be 340 years old in May, Olivia.’


‘Why are you laughing?’ she said.


He came around the table and stood close to her. She caught the salted piscine musk of him, wondered how far from humanity he was.


Perhaps it was the power, both in his form and wealth which set him apart. She had met with deputy directors, elected officials and although their station afforded them respect, Olivia knew without that station, they were small, crumpled and weak. She looked at him and fought the chill stirring of her interest which ran through her veins.


‘The ages have been dichotomous Olivia. I have been a monster and a god to some, but all I know is my purpose.’


She caught the Spanish accent, the diphthongs which escaped his control which made her smile to herself.


‘Which is what Amaro?’ she said.


He rested his hand atop hers for a moment.


‘In time, Olivia, in time. Now, walk with me.’


Amaro’s long, supple fingers curled around hers and he lifted her hand as she got up. Her breath caught in her throat as she followed him from the room. They left the house through the rear, wandered through the garden and out onto the beach. Olivia raised her nose and struggled against a pleasurable shifting through her body. The smell of the water prompted further changes and when she caught Amaro staring at her, she lifted the black t-shirt over her head and tossed it to the sand. He unbuttoned his shirt without taking his eyes from her, wandering over her high, firm breasts and soft stomach. Olivia had held herself apart from men but her transformation still held surprises. Her nipples hardened when the warm breeze caressed her. Amaro’s physique was a study in definition, sculptured muscles underneath translucent emerald skin as he let the shirt fall and he unbuttoned his trousers. The lack of modesty was reflected as Olivia stepped out of the cotton jogging pants and removed her white cotton panties. They established communications through the sets of laryngeal tissue set in vibrating pads of mucous membranes beneath the gills in their trapezius muscles.


(initiation) (consummation)?  He said


(trust) (manipulation) she said.


Amaro stepped towards her and took her hands in both of his.


He led her to the water and she watched his face elongate into something cetacean as his mouth swelled with the additional rows of teeth in his mouth. His eyes blackened but there was an open lust there as she stepped into his arms. The rush of the sea water around her bare, webbed feet was a caress and when Amaro stroked her cheek, she opened her mouth, letting her additional teeth slip forwards as they nuzzled one another, moving into the ocean where she shuddered with an exultant bliss. She surrendered to the liquid, alien wonder of mutation as Amaro lengthened and drew her into the water, reaching for her with cold, elongated fingers which knew the places to draw her pleasure.


They sang to one another under the surface. When the surrounding fish convulsed and turn on one another, Olivia looked and saw the coruscating eddies of photo-electricity, lines of force which penetrated the surrounding space. Amaro pulled her close and she slipped her legs around him as he drove into her with an urgent thrust which was agony and ecstasy in the same instance.


If it was not love, then it was the monstrous equivalent and for Olivia, it was enough.




Kelly watched John as he loaded the dishwasher. She had showered and changed into one of his t shirts and a pair of pyjama bottoms festooned with superman logos, which made her chuckle when she saw them folded on the bed. When she came through, he smiled at her.


‘They look better on you than they did on me.’ he said.


She smiled and walked towards him as he stood up. Kelly enjoyed the difference in height between them. He read her thoughts and reached out, took her in his arms and kissed the top of her head.


‘Thank you.’ she said.


He took in a deep breath and she felt the raw force of him as she pressed her cheek to his collarbone.


‘It’s strange, Kelly.’ he said.


She looked up and watched his face. There were dark circles under his eyes but he smiled and she touched his furred cheek.


‘What is?’ she said


His smile faltered before he put his hand over hers.


‘Not being alone anymore.’ he said.


She kissed him and brought her other hand to his cheek before she drew back and stared into his eyes.


‘I know you didn’t give this John. Please don’t feel bad about it. I’m freaked out enough as it is.’ she said.


He lowered his mouth to hers, but held himself.


‘I wouldn’t hurt you for the world, Kelly.’ he said.


He gave off waves of warmth through his clothing and his hands smoothed down her back.


‘I know, but we have to figure this out, don’t we?’ she said.


He rubbed his nose against hers.


‘We will. I’m interested in the intuition you’re experiencing. Do you feel stronger,?’ she said.


She had not considered it but there were rushes of vitality coming through her in waves, sometimes subtle and involving but in his arms, it was a more primal state of grace which wrapped itself around them.


‘Yes, but it’s the thoughts. I reached into your computer without touching it and it was something I did without thinking.’ she said.


He pressed her to him and they held one another, drawing a deep comfort from the simple reassurance of touch which chased the thoughts away.




He looked into her eyes,


‘Take me to bed.’ she said.


He led her through to his bedroom. There was a full cabinet of books, some worn paperbacks skulking between crisp hardback spines and the floorboards were varnished and warm beneath her bare feet. She looked at the king sized bed with egyptian cotton sheets and sat on the bed.


‘I want to feel your weight on me, John. Everything in my head is floating away and I need you to hold me down until I figure it out. Do you get it?’


John did not have to speak. A flare of insight gave Kelly the biological information of his arousal. The hormones translated into tastes and textures. Testosterone and oxytocin were the soft crush of fruit flesh and wine, the endorphins were clouds of golden butterflies and she sensed the immunoglobulin as wavering globules of light appearing around them.


‘You look so beautiful.’ she said.


He gave a tender smile and looked away for a moment.


‘No one’s told me that before.’ he said.


Kelly watched the subtle shimmer of his vulnerability as a heat haze around him.


‘That you’re beautiful?’ she said.


He sighed and she ran her hands over her shoulders.


‘You are, John. We’ve changed but I still feel human, don’t you?’ she said.


He stood in front of her and she pulled him down onto the bed with her. They were still dressed and it lent an adolescent clumsiness which ended up in a burst of giggles before he slipped his hand inside her pyjama bottoms and ran his fingertips over the curve of her pussy. She tensed up with the delight of it before she softened and nodded to him, her voice lost to the urgency of her need.


‘I feel human around you.’ he said.


She kissed him hard and pushed his bottoms down his thighs before she caressed the taut globes of his backside. A moment’s concern wafted across her forebrain about protection but she looked into his eyes and wanted him inside her with nothing between her.


The virus had chosen them both. Perhaps it had a reason but as she closed her eyes and surrendered to the urge for his substance. It did not chase the thoughts away, but it gave them an alchemical symphonic quality which eased her fears. Kelly could see the means to kill and break, but it was a tool to see how desire manifested through her new senses.


John put his weight on her and moved inside her, slow but determined before she urged him not to hold back. He gained pace and urgency as she grew sodden with each angled thrust of his cock, moving deeper as she opened to him. When she came, with her fingers dug into his back everything went white before he joined her in the moment of pulsing abandon.


Later, as they laid there, Kelly turned on her side and stroked the hair on his chest as she moistened her lips with her tongue.


‘John, we need to test what I can do, don’t you think?’ she said.


He opened his eyes and brushed the hair away from her face as he nodded.


‘Tomorrow.’ he said.


She squeezed him close and rested her head on his chest.


A hive of thoughts hummed in her skull as she laid there, enjoying the strong thump of his heart and the dark musk of sex which hung in the air between them.


‘Would we have gotten together if we hadn’t met the way we did?’ she said.


He stroked her hair. She listened to his heartbeat for a change in pace but his heartbeat remained strong and steady.


‘You were flying over my house. I don’t like to ascribe meaning to horrible things which happen any more than I do to good things. I’m glad we have met, despite everything.’ he said.


She inhaled the smell of his skin before her eyes grew heavy and she drifted off into a slow, deep rest.




Yvonne walked into the station house and stopped when the pair of agents stood up, their faces were expressionless but polite as they identified themselves as Agents Richards and Evans. She hid her nerves well as she led them into her office.


They sat down and she asked one deputy to bring her the files from the store robbery. Agent Evans pushed his spectacles up the bridge of his nose and thanked her.


‘In the interest of cooperation, we hope you’ll be amicable to our help.’


Yvonne chuckled and shook her head.


‘I’ve dealt with stray dogs before but this is some fucked up Lassie shit.’ she said.


She punctuated the balloons of horror which floated through her day with sharp observations, disguised as homespun humour. The pair of agents were a tough crowd, however.


Agent Richards leaned forwards, rested her forearms on her thighs.


‘Yes it is. We had the autopsy report sent over on the way here. Your coroner was a touch precious about it, but we figured we’re all on the same side, sheriff?’ she said.


Yvonne nodded with care.


Whatever the thing was, the coroner had assessed it managed about 1160 psi, enough to bite through the knee joint and amputate the leg in a single bite. Yvonne had looked on the internet and saw it was more powerful than a bengal tiger. She had emailed a few local dog breeders, asked them if they had taken orders or bred anything special but they responded as a chorus of indignation at the suggestion.


Evans smiled and looked at Yvonne with a quiet disdain.


‘The Lassie thing is cute, sheriff, but we’re looking at something which has been used to kill several people in your jurisdiction.’ he said.


Richards, who had the bright insincere smile of the girls who bullied Yvonne through school, shook her head.


‘You must forgive Evans. He takes getting used to.’ she said.


Yvonne hoped she wouldn’t have to but smiled and asked them if they wanted coffee. They agreed and she asked one deputy to go across the street and grab some.


‘As precious as Ray is, he’s recovered some foreign tissue and it’s getting analysed.’


Richards pouted and nodded her approval.


‘That’s good, the sooner we can find him, the better.’ she said.


Yvonne wondered if she misheard her but when she saw the blood creep up Richard’s throat, she realised she had.


‘What do you mean, him?’  




beauty books creative writing purpose women

Writing Update 14/04/17.

I hit 50 pages on the first draft in longhand, and have copied and pasted the individual episodes of The Ogden Review into a file for editing and restructuring into a complete book that I aim to pitch to my agent once I have gone through it.

It is strange to read older work. There is a melancholy pleasure, some surprises in what I looked through. There are some clear things that need fixing, but that was the price I paid for going with energy rather than detail. I’ve learned more since then, and aim to graft what I have learned to the dynamics of the original story. It has to follow a structure, and underneath the hood of this motherfucker lies some real plotholes but they’re my mistakes to make.

I am waiting to hear back from my agent about Until She Sings and Nothing Keeps Me Anywhere, Lawful Evil needs another draft, the new book is coming along well and I now have Ogden to refine as well as posting regularly here.

I have been reading The Writer’s Journey by Christopher Vogler, which is comprehensive, satisfying and involving. I’ve made copious notes about it, which all go into the journals that I keep and maintain. I work hard at the writing because I love it and view it as my purpose. Whether that lends itself to competence or not is hard to say, but I put the effort in to improve and advance myself artistically.

Thank you for your support. It means a great deal.

I miss you when you’re not around.

Matt XO




books creative writing fiction purpose women writing

Writing and Reading

I am now 185 pages into Lawful Evil in second draft and already had notes from the agent about it. It’s more technical and descriptive issues than the story, which is a good thing as the story is always the most important thing to me. It is the bass of any book, the foundation and unless that works, not even the prettiest prose will save it.

I have ditched entire drafts and books before. As you write more and often, you find yourself becoming ruthless with the work you do. I don’t want to waste your attention when I have it.

I have finished a few books recently. High Rise by J G Ballard which was brilliant and disturbing, as he wrote in a very unique, cold voice that allows him to slip past some subversive insights and make it all compelling in its ambiguity.

Aftershock by Andrew Vachss was really good, although there were large slabs of exposition when the central story was more interesting but even those digressions were highly entertaining and rich with a ballistic, brutal poetry that kept me reading.

Alias Grace by Margaret Atwood was incredible. She tells beautiful stories with an acerbic sense of character and frailty, and there are some lovely subplots that pay off whilst weaving fact and fiction into a story that dripped with intrigue and tension.

Underground Airlines by Ben Winters had a really strong concept and was robustly written, but it felt a little slight in the telling. The inner journey of the protagonist was a little too rote for me to really invest in but the reality of the concept held me rapt at the plausible horror of it.

Good Bones by Margaret Atwood was fantastic. Spare and beguiling stories that make you think and entertain you in a few words. She’s hilarious and cruel and warm, certainly someone who I rate as a writer and as a reader of her work. If anything of hers comes into view, I grab it and read it immediately.

I view reading and writing as the highest expressions of my purpose, and derive pleasure from both of them, so it keeps me motivated. Thank you for reading and liking my work, as well as the comments which are deeply appreciated. A writer wants to be read as much as a reader wants to be written to, or for.


beauty love masculinity poetry purpose spoken word women

In Battle (spoken word)

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beauty masculinity poetry purpose women

In Battle 






I hold true

When loneliness


For me to surrender

When promises made

In fervour

Are rendered hollow

I hold true

My purpose is

Patchwork armour

Gathered from a life of battle

I raise my sword

Will your maidens favour

Still wave from my

Upper arm

As battle commences

In truth

It never

Really ends

Until I do

beauty books creative writing purpose writing

The Process And Updates(Writing)

I have reached the second act of Lawful Evil, some 115 pages of edited work and have lost roughly 10% of the first draft along the way. The beauty of an exploratory draft is that you just play on the page, go on tangents and empty yourself of every idea in relation to the idea itself. With this project, there was the first conscious use of the story grid, and I am pleased to find that it has added utility in determining where the obligatory scenes should go and what needs to be discarded.
To quote Bruce Lee, you use what is necessary and discard the rest.
Experience and focused practice has allowed for less bloat in the exploratory draft so editing later is both easier and more difficult in that there are scenes that read well, but don’t serve the story. The second draft is leaner, it moves faster and the underlying emotions and themes become apparent on the page. It is a matter of confidence to trust that the reader gets it, and to allow for such information as to avoid being too ambiguous, to parse exposition to use as ammunition rather than having it dropped like a stone because it is too heavy and awkward to break down. I would not say I possess any special aptitude beyond an ability to focus and do the work necessary to advance my work.
Until She Sings is with several agents at the moment. I cannot agonise over its status, so I concentrate on the things I can control, which is the work. Say prayers and send blessings for its success.
I have several future projects in various stages. Strange Lights is sat in longhand, exploratory draft waiting for me to go in and build it up to a second draft. Another project has been fitted into a story grid, there are the serials Sir 2.0, Asra and A Bridge For The Furies ongoing here as well as the poetry. I am also putting notes towards two other projects and looking ahead.
I am reading Lonesome Dove by Larry McMurtry which is lengthy, exquisite and moving. It is a hymn to the American dream, awash with struggle, beauty and horror and all of it dressed in elegant, beautiful language. After that, I will be reading The Count of Monte Cristo by Alexandre Dumas then rereading The Water Knife by Paolo Bacigalupi. I try to absorb the good work, not necessarily in one genre and guided by an unconscious instinct for the stuff that will inspire and educate me.
There is a joy in the process, it sustains me no matter what my circumstances and serves as an expression of my solidity. I am not calcified in that, simply that I have a course, a path and I follow it by determination, a willingness to change up without losing sight of the prize.
The man I look at in the mirror each morning.
Thank you for reading, and hi to recent followers. Please feel free to comment and share the work that you like. What’s the point of being a writer if you aren’t being read?



A Path of Words

In cold

Solitary hours

The words come

Not all that I would

Say but enough

Chosen for impact

A path of pages

Glued together

With intention

I am often alone

But seldom lonely

Angels of determination

Wrestle with demons of doubt

But I continue