The 7″ Sign O’The Times single was the first record I brought. When I heard his music, it was a radio signal from a better world than this.
I tune into it from different artists who bear his influences, directly or otherwise. He remains pivotal to me for a few reasons, and not because he could dance in heels either.
(I can’t dance unless twerking counts)
He made it ok to be weird. There was always a sense he made his own world and the music was the radio signals, sent from a world where the parties were great, people didn’t hurt each other unless they were into it and there was no difference between sex and spirit. He was a library of music, a gateway drug to jazz, blues and funk as well as a proponent of fluidity of genre and a professional discipline which meant his backing band and collaborators were honed and rehearsed to precision.
Prince made it look effortless but never hid the work involved in making it look that way. His music was a soundtrack to my life, still is and I hear his influences everywhere. People used to try and insult me by claiming he was gay but I’ve seen the audiences at his shows and there were women in throes of delight at the smallest gesture he gave. Even if he had have been, he gave out all the masculine virtues and then some.
When my grandfather died, I grieved by walking my dog Milo and listening to Sometimes It Snows In April as I wept. There was a poem here about it, but yes I found a path through the grief through his music.
My daughter broke the news to me and I cried again. The circumstances of his death were sad but they don’t tarnish the power of his presence and diminish the absence. There’s a vault of unreleased material I hope to binge on someday.
He’s never disappointed me as a musician or a human being. He never will. It’s been two years now and I want a world with him still around, but there you go.