It is a good book, not as disturbing as Sharp Objects nor is the plot as engaging as Gone Girl but it represents a transition between the two books in an interesting evolution. There is a sense of rural noir, the desperate bleak horror of what an economy in freefall does to people and how that horror compels some terrible, long reaching decisions and consequences. There are moments of nihilistic decadence, and the narrative shows the lies and self deceptions as having a reach beyond the immediate. Yet for all it, it lacks the passion of the first book and the inexorable logic of the third. It is still a cut above the majority of it’s imitators but it slightly dips for me.
At the moment, I am working on an uncomfortable dinner scene that moves things forward and reveals some hidden subtexts that arose between the first draft and this, that gave me some really powerful insights into the book and the characters. These moments are really what shape the story for me, they’re borne out of that time spent marinating in the universe of the characters as well as a general playfulness, best espoused as ‘what if’.
It’s good to be in this place, where the book is evolving and I can also cut away the dead ends that clutter a first draft. I aim for a smooth, legible read and resist anything that reads too much like WRITING’ to me. The story, the book is the boss and although beautiful language is aesthetically important, whatever poetry exists does so at the story’s behest. It has to follow it’s own logic, and sometimes that frustrates me, especially when there are points where it feels like I am trudging rather than flying through things but that’s necessary sometimes. I can always cut. I can always cut. Two pages a day builds up a routine where it becomes autonomic on one level and frees up mental real estate for when I come across story issues.
I’ve started The Martian by Andy Weir, which has an engaging, avuncular voice as well as a well staged increase in scale and urgency. Science is amazing but here, we get to see how even the simplest of tasks can be fraught with danger in the most hostile environment known to us, an alien planet. The tone is engaging and even from a layman’s perspective, Weir makes the explanations of the dangers and trials involved as tense as a gunfight.
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